Descent' nails it. This is a song about sinking into the depths. Big bass pads feel like ancient homing beacons in the distance, and I can see the darkness giving way to light as the meandering, bent up melody explores deeper and deeper into the abyss. The tune just keeps drifting, until there's nothing left at the end
/ Reviews
On “Son,” he puts all his considerable talents on display, building from a warped bass-bend groove to an explosion of sparkling arpeggiated synth and back again with a cinematic command of tension and emotion.
Kodomo’s “Divider EP” offers a truly immersive experience, one that sculpts surreal worlds that teem with life. Right at the center of everything beats drive the songs forward
an ebullient synth-driven track that, like the best narrative, lands in an unexpected place.
a chilly and uneasily-pulsating cloud of electric ambient fog
Having given it a fair few listens now, I’m convinced this is Kodomo’s best work since 2008’s Still Life.
/ Interviews
Bigshot Magazine
An end of the year wrap up interview with Bigshot Magazine
Ravelin Magazine
An in-depth interview with Ravelin Magazine
Euphonics
An Interview I did with Euphonics
Artist Direct
An interview I did with Artistdirect talking about the latest Endless Waves EP plus a few music heroes
Interview with Impose Magazine
An interview with Impose Magazine about inspiration and growing up in Japan
Big Up Magazine
An interview with Big Up Magazine
Seeds Of Music
An interview with the online music marketing and development company Seeds of Music.
Panachic
An interview with Buenos Aires based magazine Panachic
Neufutur
An interview with the magazine Neufutur
Death + Taxes Magazine
Chris Child speaks with Death + Taxes on his second Kodomo album “Frozen Motion”
The Hidden People
An interview in “The Hidden People” online magazine from my show in Barcelona.
